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Everything Leads to You, by Nina LaCour
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Just out of high school, Emi Price is a talented young set designer already beginning to thrive in the L.A. film scene. But her artistic eye has failed her in one key area: helping her to design a love life that’s more than make-believe. Then she finds a mysterious letter at an estate sale, and it sends her chasing down the loose ends of a movie icon’s hidden life. And along the way, she finds Ava, and at long last, Emi’s own hidden life begins to bloom.�
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- Sales Rank: #64731 in Books
- Published on: 2015-05-05
- Released on: 2015-05-05
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .94" w x 5.44" l, .0 pounds
- Binding: Paperback
- 336 pages
From School Library Journal
Gr 9 Up—Eighteen-year-old production design intern Emi is getting over her first love and trying to establish her place in the Los Angeles film industry. Set primarily during the summer before her freshman year of college, Emi spends days designing sets for a blockbuster, and, later, a low-budget indie film (complicated by the presence of her ex, also working on both films). When she and her best friend Charlotte find a letter hidden in the possessions of a recently deceased Hollywood film legend at an estate sale, they begin searching for its intended recipient. Eventually that leads to Ava, a beautiful teen to whom Emi is immediately attracted. As Emi and Charlotte discover more about Ava's mysterious background and prop-hunt in thrift stores, Emi and Ava grow closer. Their relationship proves to be a slow build, but teens will root for its success and relate to the novel's universal themes of love and loss. Readers interested in film production will likely enjoy this one, and though set in L.A., it provides a more realistic depiction of the gap between the city's rich and poor—Emi's parents are college professors; Ava and her best friend live in a shelter for homeless teens—rather than focusing on the extravagant glamour of Hollywood. This one is highly enjoyable and highly recommended.—Amanda Mastrull, Library Journal
From Booklist
A dream job, a film legend’s living legacy, a shining mystery, and an epic sun-soaked summer—it’s the stuff of Hollywood, and that’s the stuff for Emi. She is 18, a set designer, and a deep believer in the romance of the movies. When a series of coincidences lead her to beautiful and talented Ava, the long-lost granddaughter of a film cowboy, Emi no longer just works in the movies, she is living in one. But as the final kiss and a fade to black seem just within reach, Emi begins to see that life outside of the frame is messier and harder, but has the potential to be much more rewarding. Emi is smart, sweet, and sexy, and through her infatuation with Ava, she grows in her understanding of herself, her privilege, and her role in the movie of life. Their chaste, careful romance focuses on emotion and expectation: the problems of any teens in love. Mature in tone more so than content, this is summer love for the ages. Grades 9-12. --Heather Booth
Review
Praise for�Everything Leads to You:
“But underneath the privilege surges real pain, longing, and feeling in a way that makes it easy to imagine this novel as a film.”�
–Publishers Weekly,�starred review
"This sensitive, multifaceted novel creates an authentic portrayal of the ups and downs of life. . . .�An absorbing Hollywood read." –Kirkus Reviews
"This is summer love for the ages."
–Booklist
Accolades for The Disenchantments:
YALSA Best Books for Young Adults (2013); Kirkus Best Teen Book of 2012; A Publishers Weekly Best Summer Book
"This is about the inside and outside of characters, the past and future of their lives—and it is astonishing." –Booklist, starred review
"Quietly compelling...well rendered, bittersweet and hopeful." –Los Angeles Times�
"A rich tapestry that will make readers confident that they are in the hands of a master storyteller. ... Hauntingly beautiful." –Kirkus Reviews, starred review
“Each roadtripper has his or her own artistic way of chronicling the individual journeys they are on together, and that introspection draws the reader into this intimate novel.” –NPR.org
"LaCour skillfully draws connections between art and life as she delves into the heart of her characters." –Publishers Weekly, starred review
“LaCour’s writing style is laid-back, low key, and totally on point.” –VOYA, starred review
"Enchanting in its depiction of the cusp of young disenchantment, this realistic novel will hit home with many thoughtful YAs.” –School Library Journal, starred review
Accolades for Hold Still:
2010 William C. Morris Honor Book; YALSA Best Books for Young Adults (2010); Publishers Weekly Flying Start
"Hold Still may be the truest depiction of the aching, gaping hole left in the wake of a suicide that I've ever read. But it's anything but depressing and gloomy—it’s also about the tender shoots of new relationships that grow unexpectedly out of tragedy. A haunting and hopeful book about loss, love, and redeption." –Gayle Forman, author of If I Stay
"A beautifully written, gently moving account of a long goodbye that will resonate with anyone who has ever had to let go before they were ready." –Sara Zarr, author of Once Was Lost�
"LaCour makes an impressive debut with an emotionally charged young adult novel about friendship and loss." –Publishers Weekly, starred review
"A poignant and beautifully crafted depiction about the grief that a person goes through after a profound loss.... A fresh voice to the world of young adult literature." -–VOYA, starred review
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Most helpful customer reviews
4 of 4 people found the following review helpful.
While a good book for younger people
By curious reader.
This book reads as though the author was told to 'age down' the characters at some point later in the story editing process and the job was hastily and poorly done. It was frankly hard for me, as a young adult myself, to believe that these girls were supposedly in the summer between high school and college. The year between say, college and graduate school I could understand, but to have them both be so successful at so young an age, even in a Hollywood setting, was difficult to believe.
While the story itself was enjoyable, the prose and narrative style were juvenile and it served as a detriment to the story as a whole. I found myself wishing that the characters would get together sometime before the final chapter of the book and that I cared very little for the mystery that was introduced as a way to force the two main characters together.
While a good book for younger people, and a shockingly rare lesbian story with a happy ending, the book felt disjointed and jumbled. I had trouble believing the plot and felt that a little more development of certain elements of the plot over others would have significantly strengthened the story.
5 of 6 people found the following review helpful.
Bumpy in the Beginning
By Ren the Reader
For me, the novel starts bumpy with stilted writing, characters that seem out of touch, awkward momentum, but, once the plot kicked off, everything smoothed out. The characters became enchanting and relatable, stuff I wanted to be addressed were actually addressed, and things came together neatly by the end.
Suffice to say, I thoroughly enjoyed this novel. It's not often there's a YA centering around a queer character that ISN'T a coming out story and I appreciate Nina LaCour for giving me one that wasn't.
2 of 2 people found the following review helpful.
fluffy but not credible
By N. Kline
SPOILERS
Everything Leads to You is a fast read and an easy few hours of escapist romantic fantasy... as long as you don't look closely at most of the details. The book is well-intentioned, but most of it simply isn't believable. It wants to present a gay YA character where coming out is not the entire story (great!). It wants to present young people who have a work ethic and career aspirations and all gravitate together because they're into the same thing, in this case the movies (great!). But something's a little off all the way through.
The main character is not credible as a high-school girl. In fact, every character in this story reads like they're in their mid-twenties. The book is set in LA: we understand that these kids will be emotionally sophisticated about how they present. But still - the characters all know when to say something and when not to overshare. They're all remarkably mature. There are no messy scenes (anywhere) with the ex-girlfriend. No one behaves badly, ever, or in a way where you say: yep, that's the kind of messed-up stuff teenagers do (the one time the girls do act out, their actions are free of consequences). In an effort to present a cleaned-up, escapist fantasy of life in LA, the book actually shortchanges its characters, all of whom are interesting and all of whom could have benefited from a little more grit in the lens. (In contrast, a somewhat older book, Girl Walking Backwards, is a good example of a "new adult" story where the authentic messiness of the characters' lives contributes to a sense of genuine suspense - without elaborate mysteries. The sometimes uncomfortable realism brings us nearer to the characters: whether or not we can identify with them, it makes us care about them. That's all that's needed.)
As well as the characterizations, the central fantasies here are also escapist: Nancy Drew finds hidden will with secret cache of money. Nancy finds girl. Gets girl. Etc. So okay, it's that kind of book. The odd presentation around race (or lack of it), however, is more problematic. It's as if the author wanted to be inclusive but again - only in a sort of Benetton way. So the lead character's mixed-race background is made "invisible" until two-thirds of the way through the story, I assume in order to 'surprise' rather than one-up the readers. No doubt the intent was well-meaning, but the reveal felt disingenuous. It didn't sit right. None of my friends with mixed-race children - or parents - is anywhere near as blas� about race as the author seems to feel the narrator can afford to be. Race is still an issue in America, as any glance at the headlines makes painfully clear. If it's part of who the main character is, it should be addressed. If not, why bother? It seems the message is that readers shouldn't Make Assumptions - but the way it's presented is a cheat. If we were watching a film, the first thing we would have seen is this character's mixed-race background. (The breadcrumb we were given is that Emi's mother teaches black studies and gender classes. That's just plain coy.)
There are numerous other issues with the story: there's too much overlap between the authorial voice and that of the narrator; and the model of the film industry, although interesting and clearly well-researched, feels very last-century. There's no mention of guerrilla marketing or online promotions or the new gen of lower-cost digital cameras. Similarly, the B-story (about the lost will-cum-inheritance and illegitimate offspring) is straight out of a 1940s weepy. And of course the idea of beautiful girls getting scooped up and propelled to instant fame and fortune with no effort, however tragic their backstory (and narrator Emi tells us right up front she loves a tragic story with a happy resolution).... It's all icing, not much cake.
I wish the characters felt more real. Ava is a great character, but wow is she emotionally stable and grounded, given her background. A lot of the reviews talk about the sweeping romance here. There are a few very nice short scenes - like the movies this book is all about. But they don't actually convey any of the propulsive feeling of falling in love, of heading inexorably towards That Place. They tell us a lot of pretty things. But there's less showing than it might be reasonable to hope for. The pretty sentences - and there are some, although they're self-conscious about their prettiness - didn't make me feel anything. I admire some of the writing here. But I still don't believe these characters.
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