PDF Ebook Chinese Ceramics: From the Paleolithic Period through the Qing Dynasty (The Culture & Civilization of China), by Laurie Barnes, Pengbo Din
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Chinese Ceramics: From the Paleolithic Period through the Qing Dynasty (The Culture & Civilization of China), by Laurie Barnes, Pengbo Din
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This lavishly illustrated catalogue is a comprehensive historical review of Chinese ceramics covering newly excavated discoveries from the Paleolithic era thousands of years ago to the end of the Qing dynasty in 1911. Throughout China’s history there has been an ongoing practice of invention and innovation in the forms, materials, decorations, and functions of ceramics made in China, both for the domestic market and for its ever-growing trade with foreign markets. The creation of ceramic ware holds a special and very important place among the many arts and inventions that characterize Chinese culture, society, and civilization.
The product of a ten-year collaboration among eminent American, Chinese, and Japanese scholars, Chinese Ceramics offers a new perspective in interpreting the oldest and one of the most admired Chinese art forms, from its technological aspects to its aesthetic value. The volume includes a chapter on Chinese export ceramics that delves into Chinese trade activities and ceramic wares made for export as well as a chapter about the authenticity of Chinese ceramics, discussing issues related to connoisseurship of this Chinese art.
As author He Li writes, “Despite the rich variety of Chinese ceramics around the world, no fully illustrated, photographed survey of a complete history has been attempted in English. [This volume] will convey the excitement of encountering these specially chosen examples for the first time.”
- Sales Rank: #768987 in Books
- Published on: 2010-12-21
- Original language: English
- Number of items: 1
- Dimensions: 12.00" h x 2.00" w x 9.25" l, 7.91 pounds
- Binding: Hardcover
- 608 pages
Review
“in-depth overview…of value not only to scholars of Chinese ceramics but to collectors as well. The many full-color illustrations… as well as the very recent scholarship included in the discussions are what will make this book a most valuable addition to any library collection and a standard work for years to come.” —ARLIS/NA Reviews (ARLIS/NA Reviews)
“Impressive in size and scope, this book is the ultimate reference on Chinese ceramics. . . . essential.” —Choice (Choice)
". . . a most valuable addition to any library collection on Chinese art and very likely a standard work for years to come."—Daniela Yew, Art Libraries Society of North America (Daniela Yew Art Libraries Society of North America)
About the Author
Li Zhiyan is senior research fellow at the National Museum of China and former vice president of the Association of Chinese Ancient Ceramics. Virginia L. Bower is an adjunct associate professor at the University of the Arts, Philadelphia. He Li is associate curator of Chinese art, Asian Art Museum of San Francisco. David Ake Sensabaugh is the Ruth and Bruce Dayton Curator of Asian Art at the Yale University Art Gallery. Ding Pengbo is research fellow at the National Museum of China. Li Jixian is research fellow at the Chinese Institute of Art and a member of the Chinese Society of Archaeology. Quan Kuishan is professor at the School of Archaeology and Museology, Peking University. Laurie E. Barnes is Elizabeth B. McGraw Curator of Chinese Art at the Norton Museum of Art. Kanazawa Yoh is a curator at the Idemitsu Museum of Arts, Tokyo. William R. Sargent is an independent scholar and curator, and the former curator of Asian export art at the Peabody Essex Museum.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Four Stars
By Larry Traw
Very good book.
3 of 11 people found the following review helpful.
A gathering of Celestial Brightness!
By Kenmore Emerson
A gathering of Celestial Brightness!
Li Zhiyan is senior research fellow at the National Museum of China and former vice president of the Association of Chinese Ancient Ceramics. Virginia L. Bower is an adjunct associate professor at the University of the Arts, Philadelphia. He Li is associate curator of Chinese art, Asian Art Museum of San Francisco. David Ake Sensabaugh is the Ruth and Bruce Dayton Curator of Asian Art at the Yale University Art Gallery. Ding Pengbo is research fellow at the National Museum of China. Li Jixian is research fellow at the Chinese Institute of Art and a member of the Chinese Society of Archaeology. Quan Kuishan is professor at the School of Archaeology and Museology, Peking University. Laurie E. Barnes is Elizabeth B. McGraw Curator of Chinese Art at the Norton Museum of Art. Kanazawa Yoh is a curator at the Idemitsu Museum of Arts, Tokyo. William R. Sargent is an independent scholar and curator, and the former curator of Asian export art at the Peabody Essex Museum
I am humbled to be in the aura of this celestial brightness.
Kenmore Emerson
Amateur,Dilletante and Collector
30 of 30 people found the following review helpful.
Definitive Text for Chinese Ceramics
By Bernard Kwan
This volume is the latest in the Culture and Civilization of China Series - a collaboration between Yale University Press and Beijing Foreign Languages Press. For those who are familiar with this series it is quite free ranging in its subject matter, ranging from the classic "Three Thousand Years of Chinese Painting" which has become a fixture of Chinese art courses, "Chinese Sculpture", "Chinese Calligraphy", "Chinese Architecture" and a couple of books on Chinese Philosophy. Most of these (excepting the books on philosophy) are all lavishly illustrated coffee table books and aim to provide a comprehensive overview of the subject matter that can be accessible to both the lay reader as well as the expert.
Indeed this book does not disappoint, and I believe that it ranks with the best in the series (with the bar set high by Three Thousand Years of Chinese Painting.) It provides a series of strong introductory essays on the various dynastic periods, setting out the historical background and their representative styles in a multifaceted analysis - subject matter, composition, technical breakthroughs in glazing and firing methods. The essays on the Song and Qing Periods are especially good. After reading this one should have a good idea of the characteristics of ceramics of each period, what celadon and blue and white ware are and the characteristics of true porcelain.
This book also has the benefit of showing the best and most representative pieces without being confined to a particular collection, having compiled photos from the collections of the British Museum, the Musee Guimet in Paris, Museum of Asian Art in SF, the Topkapi Palace Museum in Istanbul as well as many University Collections and the latest findings from many provincial museums in China. An additional improvement over Three Thousand Years of Chinese Painting in that Li Zhiyan, as editor, has taken pains to maintain a continuity in the format of the essays throughout the books so they can be read separately or more rewardingly as a single narrative, and best of all the language is easy to understand without needing too much technical background or background in Chinese history.
Admittedly, there are several places that the book could have done better, during the early part of the book, when discussing neolithic pottery the lack of a compelling narrative makes it difficult to keep track of the various styles as one moves quickly from one settlement area to another. However, this may be one of the pitfalls of the archaeology of that period. I would also have liked additional diagrams / explanations of the sculpting / firing / glazing methods as these are usually described in long wordy explanations. In some chapters I felt there weren't enough photos (the text described various pieces that were not shown) given the unprecedented access available to the scholars, although I realize that at 608 pages the book is already a brick by artbook standards.
Although this book will not provide anything new for the dedicated collector / historian, it is by far the best single work in English yet available, and the quality of the photos are superb. It offers very good value for money as I have paid the same price for art books of around 200 pages or so and this runs to 600 pages of color photos and quite dense text. I wish had had this work when I was first starting to learn about ceramics!
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